So it’s wonderful, it’s wonderful.It is, yeah. Yeah.Sometimes, yeah. .

I think you are because we’re all in the same show. Knowing there is a scapegoat, Roman begin stirring the pot.

. He was sort of plausible and charming and then really sort of ugly in other ways. It’s just the way of telling stories. In which, I was really bad and really boring.I didn’t go, but I was covered in glory. Playing a wealthy person is nothing new for British-born actor Matthew Macfadyen.
It just . He’s sort of revolting to Cousin Greg, and I’ve met people like that in my life. Like, I don’t know, like Shakespeare, you have to kind of jump into it and it looks after you, but if you sort of back off, and you’re tentative, then it’s hard.Well, I think, American culture everyone—Brits certainly embrace American culture.

Well, I think, because nobody is truly a horrible monster, I mean, nobody is.

By the same token, the crew and the camera operators, you realize how skillful they are because they know the scene as well as you do because they’re picking people off and whizzing the camera around, and usually there’s two cameras at any one time. I mean, in life, everybody's, you know . It’s 10 episodes, the writing’s great, the actors are great, people seem to like it, so touch wood, you know.You’re less precious about getting it right, perhaps.Well, it’s all there on the page really, but it did strike me that actually we all, to varying degrees, we all are different with different people in our lives and Tom is just sort of an extreme version of that. This is a Britishism.”Yeah, yeah. He doesn't say who, but asks for ideas on what to do, promising whoever did volunteer would be taken care of. . It was really lovely. I think they just cast it well, and the writing is good. You know, actors sort of throw themselves on tape for something. I’m not aware . . There’s a lot of stuff being made and there’s a lot of demand for new stories and that horrible word, content. .

It’s not an effort to learn the lines. . And it’s a good thing for the industry, you know, drivers and electricians and caterers and, you know, big business.Yeah, good for him.

Yeah, you’re right, especially with Brian and Jeremy because you think, “Am I in the right show? If you start from that way of thinking about it, I suppose, and they’re human beings and they have got more money than God, but you could argue, they’ve had a sort of weird upbringing and not much love perhaps from their father. Yeah, I’m wary of saying too much because I’ll get in trouble.Yeah, yeah. Swenson was born in Brooklyn, New York, of Swedish parentage. But I know as an actor and as a person, I’m certainly cellularly a different person than I was when we finished the last season. Everyone is slightly on edge at his odd comment. I remember this.” It was like a sort of warm bath.

It’s a lot of Brits writing it, interestingly, and often the script supervisor will come up and say, “What does this mean because this is not . Yeah, yeah. And so inevitably, you see their frailties and their insecurities and the rest of it, and it’s a family, I think that’s the key to it. Where in Vancouver or L.A. or here or Atlanta, there seems to be so much going on. Even though he’s, yeah, he’s tried to attack Greg on the morning jog because Greg tries to, you know—A little, yeah. Someone suggests Jerry, the Logan confirms no one has ever been more enjoyable than her. . ” And you just have to trust in the grown-ups who are directing it and writing it and putting it together. Logan thanks him, but confirms he isn't a big enough fish.

. Natalie Gold as Rava Roy (season 1), the estranged wife of Kendall Roy. Because I’ve got leverage now over him, yeah.Well, that’s really kind of you. Yeah, he’s angling for a bigger job. If you throw a stick down into the West Village—There’s no time to sort of attached to anything or pressures about.
Frank, Connor and Willa all begin to question what he means. . .

Thank you. I had no idea that so many families control so . . So it feels like a real collective endeavor. But it’s kind of great because you think, “Well, we can really push it,” as ridiculous things happen and you never would believe some of the things that have occurred, so yeah.Which is how, it certainly .

And when the writing is good, and the actors respond to it, it’s a joy, it’s a real pleasure. Then asks if Karl’s wife knows about all his visits to the whorehouse. The good writing looks after you as an actor, and you sort of just jump in, and it sort of takes care of you. He also wants to know who has been talking to the woman trying to sell a book about him.

Everyone begins to slowly talk more and more poorly about each other, and soon O'Connor sacrifices himself, volunteering to do prison time for his father. Tom's name is brought up, and Shiv kind of agrees much to his surprise. Because he’s really sweet and sympathetic as well as being revolting.Yeah, yeah, exactly, exactly because they all are human, and I think they all are. So it’s quite something to watch, I think, and the writing is so rich and twisty and caustic and filthy. It’s great.Yeah, I think so. I mean, at the risk of sounding sort of smug and self-satisfied, if I had to sort of create the ideal gig for me at this time of my life, it would be this because it’s something a little different. . humanity.

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